The Concerto for Trumpet and Orchestra and the Sonata for Trumpet and Piano by Karl Pilss were written in and , respectively. Schmidt on the Concerto for Trumpet and Orchestra and the Sonata for Trumpet and Piano by. Karl Pilss. Doctor of Musical Arts (Performance), August Karl Pilß (4 April – 22 June ), alternative spelling Pilss, was an Austrian pianist, His most frequently performed works are the Trumpet Sonata ( ) and the Tre pezzi in forma di Sonata (Three pieces in sonata form) for French.
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They are examples for solo trumpet of the late German Romantic style of melody, harmony, form and structure. Musicians and audience often overlook composer Karl Pilss outside his native Vienna.
His ties to the Trompeterchor der Stadt Wien and the National Socialist Party during somata years preceding the Second World War have limited widespread acceptance of this composer.
Pilss’ output includes concertos for trumpet, horn, bass trombone, and piano, sonaya for trumpet, violin, and oboe, wind quintets Wacker, John Mainard August This dissertation is part of the collection entitled: It has been viewed timeswith 38 in the last month.
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Descriptive information to help tdumpet this dissertation. Follow the links below to find similar items on the Digital Library. Pilss’ output includes concertos for trumpet, horn, bass trombone, and piano, sonatas for trumpet, violin, and oboe, wind quintets and octets, piano pieces, choral works, and numerous large and small brass works.
Karl Pilss: Sonata
Pilss’ teacher Franz Schmidt is more widely known. His four symphonies provide examples of post-Romanticism at the beginning of the twentieth century. His characteristic use of melody, harmony, form and structure is in the mold of Richard Strauss. Schmidt did not write any works for solo trumpet. However, his Symphony No.
More by Karl Pilss
Pilss inherited and adopted many of Schmidt’s melodic, harmonic and formal traits. This work discusses in detail the musical and compositional connection between Karl Pilss and his teacher, Franz Schmidt. Musical elements of melody, harmony, form and structure are used to illustrate the close connection between pupil and mentor. The use of the characteristic “Schmidt chord” in Pilss’ works cements the link kafl the two composers.
The Concerto for Trumpet and Orchestra and the Sonata for Trumpet and Piano deserve karp acceptance on the basis of their musical merit and as unique examples of the late German Romantic style for solo trumpet. Unique identifying numbers for this dissertation in the Digital Library or other systems.
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Author Wacker, John Mainard. Provided By UNT Libraries The UNT Libraries serve the university and community by providing access to physical and online collections, fostering information literacy, supporting academic research, and much, much more. About Browse this Partner. What Descriptive information to help identify this dissertation. Doctor of Musical Arts Level: College of Music Grantor: University of North Texas.
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Karl Pilß – Wikipedia
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