THE FANTASTIC AND FANTASY Eric Rabkin () The following excerpt from American critic Eric Rabkin’s The Fantastic in Literature defines the. Available in the National Library of Australia collection. Author: Rabkin, Eric S; Format: Book; xi, p.: ill. ; 23 cm. New Search The fantastic in literature by Eric S. Rabkin. The fantastic in literature by Eric S. Rabkin. More Like This. The fantastic in literature by Eric S. Rabkin.
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Fantastic Worlds – Eric S. Rabkin – Oxford University Press
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Spirit Becomes Matter Henry Staten. Literary Names Alastair Fowler. You must be logged in to Tag Records.
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Fantastic – Wikipedia
Case Western Reserve University Press,p. See what’s been added to the collection in the current 1 2 3 4 5 6 weeks months years. Fantasy Awards Subgenres Television Tropes. Catalogue Persistent Identifier https: According to Todorov, the hesitation involves two outcomes:. Bulgarian-French structuralist rabmin critic Tzvetan Todorov originated the concept, characterizing the fantastic as the hesitation of characters and readers when presented with questions about reality. A Structural Approach to a Literary Genre trans.
The fantastic is sometimes erroneously called the Grotesque or Supernatural fictionbecause both the Grotesque and the Supernatural contain fantastic elements, yet they are not fantastix same, as the fantastic is based on an ambiguity of those elements. National Library of Australia. J Wikipedia Citation Please see Wikipedia’s template documentation for further citation fields that may be required.
New search User lists Site feedback Ask a librarian Help. Tolkien World Fantasy Convention. Can I borrow this item? Advanced search Search history. Fantastic, The, in literature. Tyanantar Sanya and Maya Pandit. Can I get a copy? The fantastic in literature.
Case Western Reserve Literzture Press, D’Souza and Susheela Punitha. There is no clear distinction between the fantastic and magic realism as neither privilege either realistic or supernatural elements.
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Dickinson Unbound Alexandra Socarides. Second, this hesitation may also be experienced by a character; thus the reader’s role is so to speak entrusted to a character, and at the same time the hesitation is represented, it becomes one of the themes of the work — in the case of naive reading, the actual reader identifies himself with the character. This article needs additional citations for verification.