Andrew Sarris: Director Categories from “The American Cinema: Directors and Directions ” [Published in ]. “The American Cinema is more than . The American cinema: directors and directions, Responsibility: by Andrew Sarris. Edition: 1st Da Capo Press ed. Imprint: New York: Da Capo Press . Andrew Sarris. · Rating details · ratings · 16 reviews. “The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American.
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Later he remembered, ” The Voice had all these readers—little old ladies who lived on the West Side, guys who had fought in the Spanish Civil War—and this seemed so regressive to them, to say that Hitchcock was a great artist”. Da Capo Press, In this book, Andrew Sarris operates under the simple premise that a film’s primary author is its director.
Da Capo Press, Aug 27, Jarvo rated it really liked it. It has also one the most convincing arguments for the analysis of Hollywood without falling into its homogenization critique of ideology, statistics, tropes and even genre analysis; what Sarris calls “criticism of the forest”. Pages contain marginal notes, underlining, and or highlighting. Fatty rated it really liked it Dec 02, Would Jean Renoir or Max Ophuls earn a place in the pantheon on the basis of their American films alone?
Each director is given a one- to two-page pen picture with a filmography that indicates the most important works.
The American Cinema: Directors and Directions, 1929-1968
Some of the other categories are enjoyably provocative – for example I’d agree that Stanley Kubrick is overrated, but would big to differ regarding Billy Wilder or Carol Reed.
A little more about Sarris: Return to Book Page. From Wikipedia, the free encyclopedia. This is a book based around two straightforward but powerful ideas. This article is also available for rental through DeepDyve. Fortunately for Sarris, I agree with most of them.
Sarris’s The American Cinemathe bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. He also identified second—and third—tier directors, downplaying the work of Billy WilderDavid Leanand Stanley Kubrickamong others.
The American Cinema: Directors and Directions, by Andrew Sarris
The rather pithy — cineema often slyly hilarious — synopses of directors’ careers here are nuanced, and burst with insight. Books by Andrew Sarris. Advanced Book Search Browse by Subject. To ask other readers questions about The American Cinemaplease sign up. The book would influence many other critics and help raise awareness of the role of the film director and, in particular, of the auteur theory.
Used book in very good condition. Mike Elliott rated it cineja was amazing Apr 23, Sarris’s brilliant and seminal cataloguing and compassionate analysis of the work of American movie directors. Oct 20, Daniel rated it it was amazing. Reading creases on spine; 7.
Sign up to receive offers and updates: Andrew Sarris October 31, — June 20, was an American film critica leading proponent of the auteur theory of film criticism. Thanks for telling us about the problem. No trivia or quizzes yet.
Andrew Sarris, The American Cinema: directors and directions –68 | Screen | Oxford Academic
Secondly that this is as true of the output of the Hollywood studio system is it is of European arthouse or world cinema. This cinemq it clear that nationality in film is a very fluid concept. Mar 24, Andy rated it liked it Shelves: Citing articles via Google Scholar. A touch of offsetting to the front endpapers, owner initials on the front endpaper, and americah the most minute wear to the jacket. And it quickly becomes apparent just how many films, and how much dedication Sarris must have inv Indispensable, and a testament to Sarris’s establishment of a robust, eloquent and organic approach to auteur theory in the U.
American Cinema Andrew Sarris This book has soft covers. October 31, BrooklynNew YorkU. The most efficient and learned book on film I’ve ever read, Sarris’ supreme intellect shines through americah collection of fiercely focused evaluations of American film’s most iconic directors. On one hand, he criticizes “Literary” critics for missing the mastery of the image displayed by amrican pantheon directors, and then is angry at Lean and Kubrick for their privileging of the image over the narrative meaning.
It is probably a net benefit that he was willing to be controversial on specific films, glibness notwithstanding. Historically important and definitely a good source for neglected genre director This is almost a little redundant considering how personal Sarris probably considered his ratings but the sort of confusion of quality as a director with distaste for the directors subjects or style is like very obvious and strangely contradicts his own supposed anti-moralism.
The Preface to cibema book is killer Ari rated it liked it Oct 20,